Never Again Will Single Story Be Told as Though Its the Only One John Berger

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"When we read a story, we inhabit it. The covers of the volume are similar a roof and four walls. What is to happen next will take identify inside the four walls of the story. And this is possible because the story'due south vox makes everything its own."
― John Berger, Keeping a Rendezvous

"You painted a naked woman because you lot enjoyed looking at her, put a mirror in her paw and you lot called the painting "Vanity," thus morally condemning the adult female whose nakedness you lot had depicted for you lot own pleasance."
― John Berger, Ways of Seeing

"A woman must continually watch herself. She is almost continually accompanied by her own epitome of herself. Whilst she is walking beyond a room or whilst she is weeping at the death of her male parent, she tin can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And then she comes to consider the surveyor and the surveyed within her as the two elective withal always singled-out elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of every bit the success of her life. Her own sense of beingness in herself is supplanted by a sense of being appreciated as herself by some other....

One might simplify this by saying: men human action and women appear. Men look at women. Women watch themselves beingness looked at. This determines not only most relations between men and women only also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most peculiarly an object of vision: a sight."
― John Berger, Means of Seeing

"Autobiography begins with a sense of being alone. It is an orphan form."
― John Berger

"Every urban center has a sex and an age which take nothing to exercise with census. Rome is feminine. So is Odessa. London is a teenager, an urchin, and in this hasn't changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older adult female."
― John Berger

"The relation betwixt what we see and what we know is never settled. Each evening nosotros see the sun prepare. We know that the globe is turning abroad from information technology. All the same the knowledge, the caption, never quite fits the sight."
― John Berger, Ways of Seeing

"To be desired is perhaps the closest anybody in this life can reach to feeling immortal."
― John Berger

"My middle born naked
was swaddled in lullabies.
Subsequently solitary it wore
poems for clothes.
Similar a shirt
I carried on my dorsum
the verse I had read.

And then I lived for half a century
until wordlessly nosotros met.

From my shirt on the back of the chair
I acquire this night
how many years
of learning past heart
I waited for you."
― John Berger, And Our Faces, My Eye, Brief every bit Photos

"When we suffer ache we return to early childhood considering that is the period in which we get-go learnt to suffer the feel of full loss. It was more than than that. It was the period in which nosotros suffered more total losses than in all the rest of our life put together."
― John Berger

"Men look at women. Women sentry themselves being looked at."
― John Berger

"A human'due south presence suggests what he is capable of doing to you or for you lot. By contrast, a adult female'southward presence . . . defines what tin and cannot be done to her."
― John Berger, Means of Seeing

"To exist naked is to be oneself.
To be nude is to be seen naked by others and notwithstanding not recognised for oneself."
― John Berger, Ways of Seeing

"To remain innocent may also exist to remain ignorant."
― John Berger, Means of Seeing

"What reconciles me to my own death more than annihilation else is the prototype of a place: a place where your bones and mine are buried, thrown, uncovered, together. They are strewn at that place pell-mell. 1 of your ribs leans against my skull. A metacarpal of my left hand lies inside your pelvis. (Confronting my broken ribs your breast like a blossom.) The hundred bones of our feet are scattered like gravel. It is strange that this prototype of our proximity, concerning as it does mere phosphate of calcium, should bestow a sense of peace. Yet information technology does. With you I tin imagine a place where to be phosphate of calcium is enough."
― John Berger

"The poverty of our century is unlike that of any other. It is non, every bit poverty was before, the result of natural scarcity, only of a set of priorities imposed upon the rest of the world past the rich. Consequently, the modern poor are not pitied...but written off equally trash. The twentieth-century consumer economy has produced the first culture for which as ragamuffin is a reminder of nada."
― John Berger, Keeping a Rendezvous

"The by is the one thing nosotros are not prisoners of. Nosotros can practise with the past exactly what we wish. What we can't exercise is to change its consequences."
― John Berger

"Your lips, honey, are like a honeycomb: honey and milk are under the tongue. And the odor of your apparel is like the odor of my home."
― John Berger (Author)

"Men human activity and women appear. Men look at women. Women watch themselves being looked at. This determines not simply most relations between men and women but besides the relation of women to themselves. The surveyor of woman in herself is male: the surveyed is female. Thus she turns herself into an object of vision: a sight."
― John Berger, Means of Seeing

"What any true painting touches is an absence - an absence of which without the painting, we might be unaware. And that would be our loss."
― John Berger, The Shape of a Pocket

"If every outcome which occurred could exist given a name, there would be no demand for stories."
― John Berger, Once In Europa

"When in love, the sight of the love has a abyss which no words and no embrace tin match: a abyss which simply the act of making dearest can temporarily accommodate"
― John Berger, Means of Seeing

"Never again shall a single story exist told as though it were the simply i."
― John Berger

"The happiness of being envied is glamour.
Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You lot are observed with interest but you do not notice with interest - if you do, yous volition become less enviable. In this respect the envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power. The power of the glamorous resides in their supposed happiness: the power of the bureaucrat in his supposed authority."
― John Berger, Means of Seeing

"To be naked is to be oneself.
To be nude is to be seen naked by others and yet non recognized for oneself. A naked body has to be seen every bit an object in lodge to become a nude. ( The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display.
To be naked is to exist without disguise.
To be on display is to have the surface of i's ain peel, the hairs of 1'southward own trunk, turned into a disguise which, in that situation, tin can never be discarded. The nude is condemned to never existence naked. Nudity is a form of dress."
― John Berger, Ways of Seeing

"Glamour cannot be without personal social green-eyed beingness a common and widespread emotion."
― John Berger

"History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past"
― John Berger, Ways of Seeing

"I was scared of one matter after some other. I however am.
Naturally. How could information technology exist otherwise? You lot can either be fearless or you tin be free, you can't be both."
― John Berger, Here Is Where We Run across

"The spectator-heir-apparent is meant to green-eyed herself as she will become if she buys the production. She is meant to imagine herself transformed past the product into an object of green-eyed for others, an envy which will then justify her loving herself."
― John Berger, Ways of Seeing

"Women constantly encounter glances which act like mirrors reminding them of how they look or how they should look. Backside every glance in that location is judgment."
― John Berger, Means of Seeing

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Ways of Seeing
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About Looking
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Thou.
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To the Wedding
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