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Scary Stories to Tell in the Dark Art Poster

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2019 picture by André Øvredal

Scary Stories to Tell in the Night
Scary Stories to Tell in the Dark film logo.jpg

Theatrical release affiche
Directed by André Øvredal
Screenplay by
  • Dan Hageman
  • Kevin Hageman
Story by
  • Guillermo del Toro
  • Patrick Melton
  • Marcus Dunstan
Based on Scary Stories to Tell in the Nighttime
by Alvin Schwartz
Produced by
  • Guillermo del Toro
  • Sean Daniel
  • Jason F. Dark-brown
  • J. Miles Dale
  • Elizabeth Grave
Starring
  • Zoe Colletti
  • Michael Garza
  • Gabriel Rush
  • Austin Zajur
  • Natalie Ganzhorn
  • Austin Abrams
  • Dean Norris
  • Gil Bellows
  • Lorraine Toussaint
Cinematography Roman Osin
Edited by Patrick Larsgaard
Music by
  • Marco Beltrami
  • Anna Drubich

Product
companies
  • CBS Films
  • Amusement One
  • 1212 Entertainment
  • Double Cartel Y'all Productions
  • Sean Daniel Company
Distributed by
  • Lionsgate (Usa)
  • Amusement Ane (Canada, Great britain, Australia, New Zealand, Federal republic of germany, Austria, Benelux and Spain)[1]

Release engagement
  • August 9, 2019 (2019-08-09) (United States)

Running time

 108 minutes[2]
Countries
  • United States
  • Canada
Language English language
Upkeep $25–28 million[3] [4]
Box office $106 1000000[3]

Scary Stories to Tell in the Dark is a 2019 horror picture directed by André Øvredal, based on the children'south book series of the same name by Alvin Schwartz. The screenplay was adapted by Dan and Kevin Hageman, from a screen story by producer Guillermo del Toro, besides as Patrick Melton and Marcus Dunstan. The film, an international co-production of the United States and Canada, stars Zoe Colletti, Michael Garza, Gabriel Blitz, Austin Zajur, Natalie Ganzhorn, Austin Abrams, Dean Norris, Gil Bellows, and Lorraine Toussaint.[v] [6]

In 2013, CBS Films acquired the rights to the volume series from 1212 Amusement[vii] with the intent of producing it equally a characteristic motion-picture show. Past Jan 2016 information technology was appear that del Toro would develop and potentially straight the projection for CBS Films. Øvredal was later prepare to straight the picture show, with del Toro, Daniel, Chocolate-brown, and Grave being among the producers. Principal photography commenced on August 27, 2018, and ended on Nov 1, 2018, in St. Thomas, Ontario, Canada.

Scary Stories to Tell in the Dark was theatrically released on August 7, 2019 in the United States by Lionsgate. The film was well-received by critics with praise for its depictions of the horror features from its source textile but in that location was some criticism for its plot, writing and acting. The film went on to gross a worldwide total of $106 million confronting a upkeep of effectually $28 meg.

Plot [edit]

On Halloween, 1968, in the minor town of Mill Valley, Pennsylvania, three teen friends, Stella, Auggie, and Chuck, prank the peachy Tommy Milner. When Tommy and his gang chase them in retaliation, the trio flees to a drive-in movie theatre, where a young drifter named Ramón Morales hides them in his machine. They invite Ramón to explore a local "haunted business firm" that once belonged to the wealthy Bellows family unit, who helped found Manufactory Valley. Inside, they find a book of horror stories written by Sarah Bellows, the Bellows' immature daughter who was accused of witchcraft when the town's children mysteriously began to dice and allegedly committed suicide. Having followed the group, Tommy locks them within along with Ruth, Chuck's sister. They escape, and Stella takes Sarah's book.

Dorsum habitation, Stella flips through the book, discovering that a new story, entitled "Harold," has appeared on a folio that was blank moments before. Meanwhile, in a nearby cornfield, an inebriated Tommy is stalked by the titular Harold, his family's scarecrow, after it comes to life. The creature stabs him with a pitchfork, causing Tommy to vomit hay and undergo a violent transformation. Tommy is later on reported missing; Stella and Ramón find Harold dressed in Tommy's apparel. Stella is convinced that Tommy has been turned into a scarecrow.

That dark, a new story, "The Large Toe", appears with Auggie as the main character. The pair endeavour to warn him about the monster: a corpse searching for its missing toe, which is inside a stew that Auggie unwittingly eats. Auggie disappears after the corpse drags him under his bed. Realizing they are next, the remaining friends try to destroy the book; when this proves impossible, they inquiry Sarah'due south life in hopes of finding a solution. A new story, "The Ruby Spot", is written. When Ruth discovers a swollen spider bite on her cheek, it explodes and releases hundreds of tiny spiders.

Ruth is rescued but is traumatized. The group's investigation takes them to a local hospital, where they discover that Sarah's brother performed electroshock therapy on her as part of a camouflage functioning. The family's mill had been poisoning the town'south water with mercury, leading to the deaths of the town's children and Sarah was tortured by her family for trying to reveal the truth. To avoid suspicion, they blamed her for the deed. At the hospital, Chuck is attacked past the Pale Lady, a phantom from his recurring nightmares, who absorbs him.

Stella and Ramón are arrested for trespassing by Police Chief Turner, who reveals that Ramón is a Vietnam State of war draft dodger. Ramón reveals to Stella that it was out of fearfulness after his brother enlisted and his dead torso was returned to them in pieces. Turner's dog begins to act strangely, and Ramón realizes that the side by side creature will exist the Jangly Man, a monster from a campfire story that frightened him every bit a child. The Jangly Homo kills Turner past breaking his neck before attempting to kill Ramón. Ramón and Stella escape, and he lures the animal away with Turner's car while Stella goes to the Bellows house to put an end to Sarah's actions. The Jangly Man chases Ramon and ends up getting smashed confronting the grill of another machine.

Ramón gets out and runs to the Bellows house where he hides from the Jangly Man under the floor. Meanwhile, Stella is taken back in fourth dimension and hides under a table with the help of a young girl, Lou Lou Baptiste, but is somewhen found. Living out role of Sarah's experience of the torture her family unit put her through, Stella confronts Sarah's ghost and promises her that she will tell the real story of Sarah's life and the truth of her innocence if she stops harming people with her stories. Stella writes downward the true story in claret earlier she, the Jangly Man, and all of the previous monsters vanish.

She writes the truth about Sarah's life in the papers to the town, keeping her promise, and Sarah moves on to the afterlife peacefully. Ramón accepts his enlistment and shares an emotional goodbye with Stella before he leaves for the war. Stella drives abroad with her father and a recovered Ruth, and states that she volition find a manner to rescue Chuck and Auggie.

Bandage [edit]

The Kids [edit]

  • Zoe Colletti as Stella Nicholls
  • Michael Garza as Ramón Rodriguez
  • Gabriel Rush equally Baronial "Auggie" Hilderbrandt
  • Austin Zajur every bit Charlie "Chuck" Steinberg
  • Natalie Ganzhorn as Ruth "Ruthie" Steinberg
  • Austin Abrams as Tommy Milner

Manufacturing plant Valley Townspeople [edit]

  • Dean Norris as Roy Nicholls
  • Gil Bellows equally Police Chief Turner
  • Lorraine Toussaint as Louise "Lou Lou" Baptiste
    • Ajanae Stephenson as Young Louise Baptiste
  • Marie Ward as Mrs. Hilderbrandt
  • Deborah Pollitt as Mrs. Steinberg
  • Matt Smith equally Mr. Steinberg
  • Karen Glave equally Claire Baptiste
  • Kyle Labine every bit Deputy Hobbs
  • Victoria Fodor as Mrs. Milner

The Bellows Family [edit]

  • Sarah Bellows was one time a little girl in the Bellows family unit and was forced to falsely accuse herself of killing children and was hanged.

Production [edit]

In 2013, CBS Films caused the rights to the Alvin Schwartz'due south children'south book series Scary Stories to Tell in the Dark from 1212 Amusement,[7] with the intent of producing it as a potential feature film.[8] It was announced in 2014 that writer John August had been set to pen a film version.[ix]

On January xiv, 2016, information technology was announced that Guillermo del Toro would develop the flick, as well as possibly direct, and that he would also produce along with Sean Daniel, Jason Brown, and Elizabeth Grave, with Roberto Grande and Joshua Long executive producing.[7] [10] In February 2016, CBS Films hired screenwriting brothers duo Dan and Kevin Hageman to polish the draft written by Baronial.[11] In Dec 2017, information technology was reported that André Øvredal would direct the film.[12] The Hagemans received terminal screenplay credit, with del Toro, Patrick Melton, and Marcus Dunstan receiving "story by" credit. CBS Films co-financed with Amusement 1.[ane]

In Baronial 2018, Zoe Colletti, Michael Garza, Austin Abrams, Gabriel Blitz, Austin Zajur, and Natalie Ganzhorn joined the cast.[13] [14] [15] In September 2018, Dean Norris, Gil Bellows, Lorraine Toussaint, and Javier Botet were added also.[sixteen] [17] Principal photography commenced on August 27, 2018, and concluded on November 1, 2018, in Hamilton, Ontario.[18] [nineteen]

In July 2019, at the San Diego Comic-Con, del Toro explained why Scary Stories to Tell in the Dark was not produced equally an anthology film:

"When we started talking about this most five years agone, I had to call back about it ... Anthology films are always as bad every bit the worst story in them — they're never as good equally the best story...[20] I remembered in Pan's Labyrinth, I created a book called 'the Volume of Crossroads'. I thought it could be great if we had a book that reads yous, and it writes what you're most afraid of. And so the theme became stories nosotros tell each other."[twenty] [21]

Music [edit]

The film features an original score by composers Marco Beltrami and Anna Drubich.[22] In add-on to the original music, period songs from the 60s are heard in the film, such as "Season of the Witch" past Donovan, which plays during the picture's opening.[23]

A cover of "Season of the Witch" past musician Lana Del Rey is heard in the closing credits to the pic and was featured in a trailer for the moving-picture show. While talking about his option to accept Del Rey sing the cover for the motion-picture show, del Toro stated, "I accept admired Lana'southward music for a while now and felt in my gut that she would run with 'Season of the Witch' – that she would apply her alchemy to transform it. She is a great artist and has been an amazing partner with us in this hazard. Information technology is an honor for me to have met her."[24] Del Rey's version of the song was released for digital download and streaming on Baronial 9, the aforementioned solar day every bit the film's premiere. Mirko Parlevliet of Vital Thrills praised the pairing of Del Rey's audio and the flick's vintage aesthetic.[25] Savannah Sicurella of Paste stated, "Del Rey managed to capture the prickly, macabre feeling of the popular Alvin Schwartz stories on which the film was based."[26]

Marketing [edit]

The starting time footage of the film premiered during Super Bowl LIII.[27] The first trailer was released on March 28, 2019, and the second on June 3, 2019. On Baronial five, 2019, a third trailer was released, featuring a cover version of the Donovan song "Season of the Witch", by Lana Del Rey, performed for the film's soundtrack.[28] All-in-all, the studio spent over $20 meg promoting the motion-picture show.[four]

Release [edit]

Theatrical [edit]

The film was theatrically released in the United States on August nine, 2019, by CBS Films via Lionsgate.[29] [xxx]

Home media [edit]

Scary Stories to Tell in the Night was released in the Us on digital download by Lionsgate Domicile Entertainment on October 22, 2019 and too on Ultra HD Blu-ray, Blu-ray, and DVD on November 5.[31]

Reception [edit]

Box office [edit]

Scary Stories to Tell in the Nighttime grossed $68.9 million in the United States and Canada, and $35.6 million in other territories, for a worldwide total of $104.5 million.[iii]

In the United States and Canada, Scary Stories to Tell in the Night was released alongside The Kitchen, Dora and the Lost City of Golden, The Fine art of Racing in the Rain, and Brian Banks, and was projected to gross $fifteen–17 million from 3,000 theaters in its opening weekend.[32] [33] The pic made $8.8 meg on its first day, including $2.33 million from Thursday night previews. Information technology went on to debut to $xx.8 1000000, finishing 2d, behind holdover Hobbs & Shaw.[4] Information technology dropped 52% in its 2nd weekend to $10.one 1000000, finishing fifth.[34]

Disquisitional response [edit]

On the review aggregator website Rotten Tomatoes, the moving picture holds an blessing rating of 77% based on 233 reviews, with an average rating of 6.iv/x. The site's critical consensus reads, "Like the bestselling series of books that inspired it, Scary Stories to Tell in the Night opens a creepy gateway into horror for younger genre enthusiasts."[35] Metacritic gave the film a weighted average score of 61 out of 100, based on 33 critics, indicating "generally favorable reviews."[36] Audiences polled past CinemaScore gave the movie an average class of "C" on an A+ to F calibration, while those at PostTrak gave information technology an average 3 out of five stars and a 53% "definite recommend."[4]

Owen Gleiberman of Variety wrote that "the movie faithfully re-creates the tiptop moments of half a dozen of Schwartz' about popular stories," but "doesn't totally embrace the Gammell vision," referring to the infamy of the illustrations in the original volume serial.[37] Ben Kenigsberg of The New York Times called the film "an amusing bit of fan service."[38]

Keith Uhlich of The Hollywood Reporter conversely termed it a "lackluster adaptation," adding that the monsters depicted in the film are "scary," though "they'd be much more and so if they felt less similar franchisable IP and more than similar fervent expressions of the ills of the eras on which the film aims to comment."[39] William Bibbiani of Bloody Disgusting wrote that the film "oft works very well for several, incoherent minutes at a time. But in between those excellent scares at that place's a lot of filler, a lot of perfunctory plotting and a lot of mediocre graphic symbol evolution."[40] Alan Jacques of Limerick Post gave the film two points out of five and stated "This moving-picture show is definitely not meant for a pre-teen audience. There are one or two genuinely creepy moments that would leave your precious nippers sleeping with the lights on until they finish college.... For a immature audition coming to horror for the start time, this isn't a bad place to start, but for anyone with a existent appreciation of the genre this might experience rather dull and unoriginal."[41] In his review for The Verge, Noah Berlatsky stated "...Scary Stories is remarkably insightful and sober in its assessment of the way stories control people, rather than the other way around. Quentin Tarantino's One time Upon a Time in Hollywood was supposed to exist the summer's virtuoso meta-fiction, but its rewritten happy catastrophe, musing on the impotence of writing, seems a lot less bleak than Scary Stories' acknowledgment that some scripts will take you far away where you'll never be seen again."[42]

Tomris Laffly of RogerEbert.com gave the pic 3 stars out of four, stating "Still, Scary Stories is a strangely uplifting throwback to old-fashioned clans of investigative teens. While it doesn't break whatsoever new ground, there is enough of vintage fun to be had with kids who feel their fashion through life'due south impending fears and live to tell the tale."[43] Writing for The Guardian, Simran Hans gave the moving-picture show three stars out of v, noting "Producer and co-writer Guillermo del Toro brings Alvin Schwartz'due south much-loved children'southward volume serial to the big screen, but this uneven picture show tin't decide who information technology'south trying to scare."[44] The New Yorker 'southward Richard Brody mentioned "At that place'south authentic charm to the fine-grained didacticism of the plot of "Scary Stories," which embodies the very virtues that it promotes. In the process of displaying the redemptive power of factual knowledge, nonetheless, the motion-picture show flattens and tames the ability of imagination."[45] David Ehrlich of IndieWire added "André Øvredal's movie adaptation, equally clever and well-crafted as it is, can't help only capsize the formula that the source cloth relied upon for its success. Here is an R-rated concept that's been watered down until it passed for a PG-xiii movie; information technology'southward enough harrowing and full of gruesome furnishings, just it never feels dangerous."[46] The Atlantic 's Julie Brook noted "The all-time scary stories do that—they get nether your skin and emerge again and over again. (The worms clamber in, the worms crawl out.) Scary Stories the movie merely bounces right off."[47]

David Fright of Rolling Rock gave the movie three stars out of five, commenting "Information technology'south all a lot of concatenation-rattling, black-cat-screeching fun, though non such a blast that you don't detect how generic and ramshackle the whole try feels... The pity is that Scary Stories to Tell in the Dark will more often than not be seen by jaded genre completists and nostalgic fortysomethings. Wrong demographic. You owe it to your kids to accept them to this. It's grooming-wheels horror done correct."[48] Aja Romano of Vocalism gave the film three and half points out of five and wrote "...the film leans all the way into the adventure to tell a story beset with cultural anxieties of the past that strongly mirror those of the present. Information technology's far more than like a classic slice of young adult fiction than the juvenile fiction information technology's adapting; its focus isn't on kids, but on teens who are coming of historic period in a turbulent, complicated, and often maliciously unjust earth. Their supernatural monsters, in contrast, are culled from juvenile fears and fantasies. The resulting folkloric artful makes Scary Stories' brand of fantasy all the more effective as fun visual horror. But on a thematic level, information technology creates a discordance with the pic's more adult social horrors, and the two elements never quite unify."[49] A.A. Dowd of The A.V. Lodge gave the film B grade and wrote "Like scouts huddled around a bivouac, each trying to send a bigger chill down the others' spines, Scary Stories To Tell In The Dark keeps coming up with new gruesome attractions, piling i on superlative of the next. Yet as gross and spooky and, aye, occasionally frightening equally these terror tactics become, they never quite cross over into the deep end of truly grown-upwardly horror."[50] The Times of Bharat's Neil Soans gave the film three stars out of 5, noting "The screenplay ends upwards every bit a jumble of unexplored ideas onscreen rather than a cohesive narrative. All the same, if y'all only bask horror films for creepy monsters, you'll manage to get a kick or two."[51]

Accolades [edit]

Sequel [edit]

On April 23, 2020, it was appear that a sequel to the flick is officially in evolution, with Øvredal returning to straight and Paramount Pictures (who absorbed CBS Films equally part of the Viacom/CBS re-merger) distributing.[53] [54] [55] Zoe Colletti, Michael Garza, Natalie Ganzhorn, and Dean Norris are set to reprise their roles with Dan and Kevin Hageman returning as writers and Guillermo del Toro returning as producer.

References [edit]

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External links [edit]

  • Scary Stories to Tell in the Dark at IMDb
  • Scary Stories to Tell in the Dark at Rotten Tomatoes
  • Official website

coynelifeastrom.blogspot.com

Source: https://en.wikipedia.org/wiki/Scary_Stories_to_Tell_in_the_Dark_(film)

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